Friday, December 12, 2014

a May Day anthology


by Chrsitine Young, C. L. Kraemer, Rosemary Indra, and Genie Gabriel

May Day has been celebrated since Roman times with dancing, baskets of flowers, and bonfires. In this collection of May Day stories, Rogue's Angels--Christine Young, C.L. Kraemer, Rosemary Indra and Genie Gabriel--continue the celebration with humor, faeries and falling in love.
  
Highland Miracle -- Christine Young
 
HURTLED THROUGH TIME, Sean Michael Sterling, landed in the midst of a May Day celebration he didn’t understand, assuming the role of Laird Sterling.
ILLIGITAMATE CHILD OF NOBILITY, Reagan Douglas searches for a way out of her half brother’s house. 

 
Defying the Odds -- C.L. Kraemer
 
The night elves on the hill aren't happy without their magic. They concoct a plan to punish those who were involved in the act that rendered them almost human. Meanwhile, Uther, the rogue night elf, has returned to woo the Librarian to be his eternal mate.


Love in Bloom -- Rosemary Indra
 
When childhood friends reunite it takes two fairies and a matchmaking daughter to help them admit their true love for each other.

 
No More Poodle Skirts -- Genie Gabriel
 
After drifting for years in the innocent age of the 1950s, a woman struggles to join today's world by finding a career and a new love, with some help from her zany family.
 
  • Title: a May Day anthology
  • Author: Chrsitine Young, C. L. Kraemer, Rosemary Indra, and Genie Gabriel
  • Publication Date: 5/1/2013
  • ISBN: 978-1-62420-036-6

Thursday, December 11, 2014

It's Check In Day Already?



It's Check In Day.

Time to pay the piper! How did you do? How much did you write? Did words explode on your WIP?

This is the Rogue's Angels weekly check-in. Every Thursday we encourage the Angels and visitors to let us know how their writing is going.

How well are you doing?

Had problems this week? That's ok. Just sit down this coming week and write. Whatever you do, don't let difficulties from the week before get in your way this week.

Every word is one word closer to the finished product.

I have been editing Sweet Talkin' Sugar this week and added a couple thousand words to the manuscript. I found another beta reader so hope to get some good feedback on the story. As I type this (wednesday night) I plan on editing another chapter, hopefully two. We will see.

How was your week?

Saturday, December 6, 2014

December 7, 1941








At about 8 a.m., Japanese planes filled the sky over Pearl Harbor. Bombs and bullets rained
onto the vessels moored below. At 8:10, a 1,800-pound bomb smashed through the deck
of the battleship USS Arizona and landed in her forward ammunition magazine.
The ship exploded and sank with more than 1,000 men trapped inside. Next, torpedoes
pierced the shell of the battleship USS Oklahoma.

With 400 sailors aboard, the Oklahoma lost her balance, rolled onto her side and
slipped underwater. By the time the attack was over, every battleship in Pearl Harbor–
USS Arizona, USS Oklahoma, USS California, USS West Virginia, USS Utah,
USS Maryland, USS Pennsylvania, USS Tennessee and USS Nevada–had sustained
 significant damage. (All but USS Arizona and USS Utah were eventually salvaged
and repaired.)

Thanks to History.com for the facts. Thanks to our service men and women for their sacrifices.






Friday, December 5, 2014

Let's clear this all up...

I'm having trouble adding a nice picture so we'll just get to the bottom line.


My rant yesterday was provoked by stories from hard working editors and graphic artists about the few [yes, they are NOT the majority] authors who have mistakenly believed the fairy tales fed to them by movie producers, TV writers and novelists that the writer is the driving force behind their books. It is unfortunate, but true, that once a book has been contracted, the writer has gone from the top of the heap to the bottom. There is no room for prima donnas or drama queens. The writers who follow those paths will soon find they have no publishing house about which to worry.


However, most of us continue to write and hope our work will be published. My advice is to work WITH your editor, proofer and graphic artist. It is to their advantage as well as yours for your work to be in top form.


After all, we all want to do well as a published author.


Now... let's have some fun. Christmas sneaks up on us in bunny slippers, so why don't we put words together and see how many different stories we can make from one idea?


The reindeer are on strike and Santa is losing weight over the situation. In less than 5,000 words, tell us how you think he'll solve his dilemma.


As we are starting to create the tales that will be released in NEXT year's Christmas anthology, I'm sure the publisher would be thrilled to have enough stories to put together for a second book of the season.

Thursday, December 4, 2014

Read the fine print

 
 


It's all in the way you read it...

 
For some this will be an eye-rolling, do-we-really-have-to-listen read. This post is about--perception.
 
What is the perception vs. the reality of being a published author? 
 
I'm sure most of us have been bombarded with the 'what they think I do' pictures that well meaning family and friends send us when we let them know we're writers. On one hand, they're very funny. On the other, they're insulting, not recognizing the vast amount of research and work that goes into any good body of writing. Thanks to Hollywood and biographers of those considered great writers, the picture of a writer is not a very pretty one. Unfortunately, because of these glamour moguls, most people including the writers have a warped sense of the business of writing.
 
Perception
You write a book that is so unique and different, every agent and publishing house on the planet is banging on your door to get you to sign with them. When you do, they take one look at your manuscript and realize it is perfect and not a word will be touched. The manuscript is rushed to printing and hits the New York Times best seller list at #1 on the first day it's released. You don't worry about anything else because now you have -- people.
 
Reality


You work and slave over the book that seemed as if it was going to fly from your brain onto the pages of your computer. You've become a hermit to meet your self-imposed deadline and just barely make the date.

Now comes the shocker. You've sent your masterpiece to over one hundred agents and publishing houses, big and small, and no one--NO ONE--is interested. They keep telling you, if you hear from them at all, it's just not what they're looking for. The manuscript is put into a box and begins life on the shelf in your closet.

Perception
You've had a good pout and decided to pick yourself up and make a go of getting your manuscript published. Say, isn't it easier to get a contract from an online publisher? Sending your work of art to every online publisher that looks as though they might take it, you dust off your hands and wait for the calls and emails to start rolling in. They will. After all, didn't your mother tell you how amazing you were as a writer? She wouldn't lie.

Reality
Same story as you get from the brick and mortar publishers except for one. They've told you to send in your manuscript for consideration.

Perception
Book is picked up by online publisher and you are on your way. They are going to clean it up, make it read like a classic, create a cover so enchanting no one can look away, and take out billboards along the country's biggest highways advertising your genius. They're also going to advertise on television for you. All you have to do is show up at the book signings and scribble your autograph. You have been practicing, haven't you?

Reality
Your manuscript is contracted by an online publisher. This is where any semblance to the brick and mortar book publishers ends.

From the experience of an author who dealt with the big publishing houses comes the following eye opener for most writers:

When your book is contracted, the PUBLISHER now owns it for the time set up in the contract. You, as the writer, have now been delegated to completing, changing, editing, rewriting your work in whatever way the publisher deems necessary. If they decide your characters are interesting but would be better if brought from the 19th century to the 21st century, you'll be scrambling to make the changes or lose your contract.

You won't have any say so on what the cover looks like. They'll have you write a log line so they can get a taste of the 'flavor' of your book and give the graphic artist free rein. Once you've been contracted, if the publishing company so deems, they can throw the entire story away and have a ghost writer come up with something because they like the title of your book. You are still expected to blog and market in every venue you can. They may set up one or two book signings but if your sales are lackluster, your books will be shredded. The truth of the matter is a new book from a new author has six (6) weeks, count them six, to make a good showing or the author will be back on the internet pounding the electronic sidewalk.

With the online publisher, there are some major differences. The editor, proofer, and graphic artist will do their best to work with the author and most times the results are pleasing to all.

However, that being said, there is a misperception about the amount of leeway the writer has.

When the proof is sent to the author, an error list is expected to make sure the product given to the public is in the best shape possible. It is NOT an opportunity to rewrite the manuscript. The author gets ONE time to catch the mistakes--it is not a continuing process. ONCE, that's all.

The graphic artist face the same obstacles. They do their best to try and capture the image the writer has in their mind but sometimes the author doesn't convey in a manner that is understandable to graphic artist and writer what is needed.

The truth of the matter is once you have signed on the dotted line, the publisher has the rights to your work until the time agreed upon has ended. Read the fine print.





Rogues Angels Present: Check In Day



It's Check In Day.

Time to pay the piper! How did you do? How much did you write? Did words explode on your WIP?

This is the Rogue's Angels weekly check-in. Every Thursday we encourage the Angels and visitors to let us know how their writing is going.

How well are you doing?

Had problems this week? That's ok. Just sit down this coming week and write. Whatever you do, don't let difficulties from the week before get in your way this week.

Every word is one word closer to the finished product.

Still no writing been busy fighting a horrible cold but I finished edits on a ms for Rogue Phoenix Press and when I finish with this I will begin rereads of Sweet Talkin' Sugar. My goal for this month is to finish the final to chapters and send it to my editor. Wish me luck, I'm going to need it.

How was your week?

Wednesday, December 3, 2014

Rogues Angels Present: A Marriage of Inconvenience by Christine Young



Title: A Marriage of Inconvenience
Author: Christine Young
Email: achristay@aol.com
Genre: Historical Romance
Excerpt Heat Level: 1
Book Heat Level: 4




A REGAL BEAUTY

When the duchess decides to wed her to a wastrel and a fop, Ravyn Grahm takes matters into her own hands and declares her engagement to another man. Instead of fessing up and telling her great aunt what she has done, she goes through with the pretense. Aric Lakeland is the bastard son of an earl and has a dangerous reputation. But Ravyn is willing to do most anything to keep the duchess from discovering the lie.

A DEVIL-MAY-CARE SMUGGLER

He'd bought land in America, looking to put down roots and end his life of adventure, but Aric Lakeland got more than he bargained for when he encountered a beautiful heiress who made a promise she didn't want to keep. But the promise could not be undone and standing between them were more obstacles than either ever dreamed. Aric had made plans to spend the rest of his life in America and that was at odds with Ravyn's plan of living in England and running her father's estate. Now, he'll have to choose between his dreams and the woman he loves more than life.


EXCERPT

Aric Lakeland dodged foot-traffic along the boulevard in a crazy attempt to keep up with the bouncing erratic carriage he followed. The day was intolerably hot and his mood was no better. He resented this mission. He’d left a cool pub and a cold brew to sweat beneath the hot sun.

His idea of fun was not traipsing after a notorious gambler and womanizer. Nor did he want to baby sit a spoiled debutante.

Yet, he’d promised. A wave of guilt washed through him.

Sweat beaded on his forehead, dripping down his face. He swiped it with the back of his hand and sidestepped, nearly knocking packages from a lady just exiting a dressmaker’s shop.

“You owe me, my friend. When this is done, I will collect,” he swore beneath his breath and began thinking of all the favors he might ask of his half brother.

The carriage he followed turned a corner and disappeared from sight. He plowed into a lamppost, swore again and raced through the crowds. Richy Richmond did not deserve this absurd protection. Richy could deal with his own affairs. The other part of his half brother’s request bothered Aric. He did not want anything to happen to the lady he followed. His half brother had reason to believe Richy might do something to compromise her. His gut instincts had never been wrong. Ravyn Grahm, cousin to his half brother’s wife, was in serious trouble.

Richy’s carriage came to an abrupt halt. Richy jumped from the vehicle. His cane in hand, he strode toward a dress shop Aric had reason to visit on occasion.

Aric watched, fascinated as the scene unfolded. He started forward but noticed Richy race to protect the women Aric followed. 

“You ruffians!  Get your hands off me!”  The white-haried Duchess shrieked, her age-lined face mottled with rage, pushing at two little guttersnipes who seemed more intent on shoving the elderly woman around than stealing the packages she carried.

Ravyn swiped her parasol across a boy’s head and turned to the other, her eyes blazing, shooting violet blue sparks.

“Stop it!” she cried out, raising her parasol again and again. “Take that!  And that!”

Amused, Aric leaned against a lamppost similar to the one he had run into earlier in his race to keep Richy’s carriage in view.

He crossed his arms over his chest, grinning as he watched Ravyn batter the boys who had had the audacity to try and harm the Duchess.

He chuckled, prepared to step in if needed but it appeared the two women had the situation under control. Ravyn, he mused, the regal, classy lady who seldom had a hair on her gorgeous head out of place was decidedly disheveled. Her cheeks were flushed, her hair flowed beautifully from its perfectly coiffed hairdo. Her jacket sleeve was torn and to his amazement, she grinned as if she were having the time of her life.

“Go on, get,” Richy stepped in, shooing the two boys away. He grabbed hold of one of the boy’s arms and shook him. “Patrol,” he yelled, looking around for help. The boy stomped on Richy’s foot. Surprised, Richy let go. “Bloody hell!  Come back here. Little brat,” he yelled as the boy ran off.

Aric cocked an eyebrow, watching and wondering what would happen next, knowing Richy had a card up his sleeve. He had not forgotten he was supposed to be watching Richy, nor had he forgotten the man had suffered innumerable losses at the gaming tables and the racetrack the last few days and he might do something to Ravyn.

Aric pushed away from the lamppost and strode toward the women and Richy. He watched Richy change demeanor. Suddenly instead of rescuer, he was attacker. Aric’s heart stopped for a moment then raced.

Richy wrenched Ravyn against him, pulling her close, her arm behind her back, his mouth close to her ear as if he whispered something to Ravyn.

“Let go,” Ravyn cried out, twisting and thrashing her arms. It seemed to be the opposite scenario as moments before. The crowds that had previously closed around the women had now dissipated.

“Let go,” Ravyn cried again. 

“You’re mine, Ravyn,” Richy said in a low well-modulated voice. “You should have realized it months ago and I’d have won the wager. But instead, you ignored me. You taunted me and sometimes you pretended to care while other times you turned up your pert little nose when I walked by.”

“What do you think you are doing?  Let go of me!”  Ravyn cried out, hatred now in her stormy violet eyes.

To Aric, she sounded incredulous, perhaps confused. But strangely, not afraid.

“We--“he paused a moment--“are going to Gretna Green. We are getting married and I will inherit your estate. You will be mine.”