Wednesday, May 17, 2023

Servant by Patrick R. Field

  Please welcome Patrick R. Field author of Servant

Patrick R. Field will be awarding a $10 Amazon or B/N GC to a randomly drawn winner via rafflecopter during the tour.


Servant

by Patrick R. Field

 

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GENRE: Paranormal Fantasy

 

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BLURB:

 

Not long after their move into Blackstone, married couple Mitch and Buck begin to witness strange sightings of shadowy figures, physical manifestations and inexplicable events taking place in the former Sheppard family estate nestled in the Northern Poconos of Pennsylvania. Through séances, they learn from the spirit of Jedidiah Sheppard that he has not been able to cross over into the afterlife because the truth behind his sudden disappearance in 1965 has never been solved. During this journey, Mitch and Buck and an eccentric psychic, Gladys Munch aka Madame Fortunesta, encounter interference from the spirit of a Lenape medicine man, Mesingwe Medeu, who protects Jedidiah’s spirit. Mitch and Buck eventually realize that they must find Jedidiah’s remains and let the authorities discover through modern detective work the evidence needed to try and convict the murderer. But is it too late for Jedidiah’s spirit to find eternal peace?

 

 

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EXCERPT:

 

“The spirit led us to this area of the cellar by blinking the lights, making them dimmer and then brighter. When we asked if he would like to be called a spirit, the intensity of the blinking increased, brighter and faster. We thought it was because he liked it, but then the blinking stopped and the intensity of the light grew until the bulbs started to burst, and as you can see, there is shattered glass on the floor,” I explain as we walk across the broken glass, the crinkling sounds underfoot. “Sorry about the glass. I have been a little freaked out to sweep up.”

 

“Where did you find the album?” 

 

“Over here. It fell off this shelf of the bookcase, where you can see the imprint in the dust.” 

 

Gladys places her hand on the spot where the album once lay and closes her eyes. Suddenly, she opens them, and a surprised, distressed expression comes over her face, the first time I haven’t seen a hint of a smile all morning. 

 

“I would like to leave here now,” she states in a fearful tone. 

 

“Sure, is something—”

 

“Now, Mitch! We need to leave now!” 

 


 

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AUTHOR Bio and Links:

 

After twenty-five years in higher education, Patrick Field traded in teaching and textbooks to pursue his passion of writing spine-chilling fiction. Holding a Ph.D. in Anatomical Sciences and Neuroscience, his experience informs his writing, a unique blend of scientific knowledge with supernatural storytelling.

 

His non-scientific writing career began with Prince Patrick, a memoir of his precocious childhood that he wrote for his mother as she battled pancreatic cancer. This process was not only healing but helpful in stirring his creativity and marked the moment he was bitten by the writing bug.

 

An avid fan of Anne Rice, Edgar Allen Poe, and Joe Hill, Patrick’s subsequent novels were inspired by his favorite authors. His first fiction novel, The Malevolent, and his two latest novels, The Bedfordshire Warlock (release date in early 2024) and Servant were written throughout the isolation of the COVID-19 pandemic.

 

His latest novel Servant was inspired by the supernatural events that happened to the author, his husband, and friends that have stayed in their home in northeastern Pennsylvania. Taking a page from his teaching philosophy that those who teach must never cease to learn, Patrick found himself hungry to discover all he could about the area's diverse cultures, including the Anthracite coal mining community and the indigenous tribe of the Lenape.

 

Patrick’s writing process is a mix between walking meditation and meticulous research. His novels form while he walks alone with his dogs, imagining plot lines and characters. Once he’s home, he quickly types notes on his computer before fleshing them out later. Research is a considerable part of his process- the scientist in him abhors “alternative facts.” When he encounters an idea or a historical thread unfamiliar to him, he researches all he can about it. While he writes about a world where the supernatural realm is prominent, the real world is always based on facts.

 

When developing characters, he usually has an idea of the destination he wants for each character but the journey to get there is often written by the character and the environment. Of all the characters he’s written, Gladys Munch in Servant is his favorite, as she’s an amalgam of delightful, humorous “mature” ladies in his life and physically inspired by British actresses Margaret Rutherford and Angela Lansbury.

 

In addition to writing, Patrick appears on the stage of his community theater and sings in the chorus of a local opera company each summer. He enjoys spending time with his husband, Matthew, and their dogs and exploring new destinations around the world, especially those that have a supernatural history. Haunted buildings and structures associated with the occult fascinate Patrick. His idea of a perfect day: drinking pints of Guinness draught with friends and family over scintillating and humorous conversation.

 

 

 

Website: patrickfieldauthor.com

 

Instagram: patrickfieldauthor

 

Facebook: actoranatomist

 

Links for purchasing Servant

 

Amazon: https://www.amazon.com/Servant-Patrick-R-Field/dp/1509248765/ref=sr_1_1  

 

Barnes and Noble: https://www.barnesandnoble.com/w/servant-patrick-r-field/1143071600

 

Walmart: 

https://www.walmart.com/ip/Servant-Paperback-9781509248766/2686843043

 

 

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GIVEAWAY INFORMATION and RAFFLECOPTER CODE

 

Patrick R. Field will be awarding a $10 Amazon or B/N GC to a randomly drawn winner via rafflecopter during the tour.

 

http://www.rafflecopter.com/rafl/display/28e4345f4563

Monday, May 15, 2023

The Delicate Affair of Colonel Baquiste by Luki Belle

 Please welcome Luki Belle author of  The Delicate Affair of Colonel Baquiste

Luki Belle will be awarding a $25 Amazon or Barnes and Noble GC to a randomly drawn winner via rafflecopter during the tour.


The Delicate Affair of Colonel Baquiste

by Luki Belle

 

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GENRE:   Adult Fiction, Gothic Fiction, Paranormal Suspense, Military Thriller

 

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INTERVIEW:


Question 1: What or who inspired you to start writing?

Answer 1: A former colleague of mine - he commented on my paintings and said that I needed to “take the lid off myself” meaning to be more expressive and not to be shy. You see I am a self-taught artist and use to paint women as a hobby. I realized that what my colleague was saying, was for me to be more dramatic in my artistic expression because he intuitively pointed out that I had the desire to express more. However, I knew that I did not have the skills to illustrate my inner thought process, in art, because I was teaching myself and lacked the knowledge to make my paintings appear more dynamic. 

Shortly after that conversation with my colleague, I had a terrible nightmare which produced a recurring vision of a haunting scene. I wanted to materialize that vision into art, as a way of self-healing from that terrible experience. While doing so, I quickly concluded that my humble painting skills were limited, and I needed to express this haunting vision into words to get the therapy I was seeking. That got me started on writing out that recurring scene which I kept seeing in my mind after my nightmare. Those initial words, to find self-healing, led to a ten-year writing project and produced my first novel (the one that I will publish after my second book goes out).

Question 2: What elements are necessary components for this genre?

Answer 2: My genre is Adult Fiction, Gothic Fiction, Paranormal Suspense, Military Thriller. I will take each one and share my thoughts.

Starting with Paranormal, it is very important to set the rules with which paranormal beings interact with humans and how humans respond to that effect. This rule must be followed throughout the book.

Next Gothic, I feel that the essence needs to be expressed heavily through adjectives and the way characters feel, sense, smell, see and perceive being in isolation or being in remoteness. By saying it is a remote castle does not really help the reader feel what it is like to be in that environment unless the writer describes it through the characters in that situation. Similarly, to create that dark, haunting, and fearful ambiance, the usage of adjectives and response of characters to a situation is important, I think. And response can be done using all the five senses of a being.

When it comes to suspense and thriller, I strongly believe that if you are taking your reader to a heightened peek of anticipation, you must meet that same intensity when you create the climax and then resolve the mystery. If you build a steep “gradient” then you must let the reader enjoy the “dive down”, kind of like going up a snowy mountain trail when skiing or snowboarding. Also, the more characters, plots, issues, open ended events you add, those all must be resolved, unless you intentionally want to end with unresolved things. I think of it is as expanding my radius of scope, and I am consciously aware of how big I am making that circle to ensure that I go back and connect the dots and tie the knots that will nicely lead the reader to the ultimate message or messages of the book.

 

(Answer 2 continued) Finally Military genre, I think it is important to establish the ranks, their rules and protocol, how they govern, their mission, ways of operating, tactics, their past, how they fight, kinds of weapons used. Intertwined with these decisions is the vision of the nation under which the military is operating and how that nation functions, its economy, people, culture, tradition, challenges, threats, advantages. These technicalities must be defined and followed consistently throughout the novel unless there is a plot to change the realm of either the nation and or the military.

Question 3: How did you come up with your idea for your novel?

Answer 3: Having been born and grown up in post-colonial countries, having been on the receiving end of hate, racism, and prejudice I wanted to explore a male character who was on the colonizing side who will be a military man, ruthless, arrogant, and prejudiced, to see what could compel such a man to have a change of heart. That was the initial inspiration which morphed into a very, very complex novel once I started thinking more about it. It was a meditational journey for me because it showed me that individuals, situations and events are never absolutes. There is always the positive side which tends to be quieter, subtler and more like a gentle nudge while the negative is the exact opposite. 

I therefore ended up exploring several themes in my book through my characters, such as the impact of psychological masks, impact of uniforms, social and gender roles in the midst of culture and tradition, the test of civility during times of change, the empowerment of individual choice, how imperfections in us are vital for change – hopefully positive ones, bonding over grief, the power of observation when one is given the permission to be someone else. I have also explored the benefits of discipline and duty that comes through wearing a uniform and at the same time contrasted the impact of misusing the uniform. A fine thread that knits the themes together is the question of assimilation in the face of change and how to find the opportunity for progress without destruction. I explored all these themes through the lens of colonization because of my personal life’s experience, to aspire that positive change is possible if we can give ourselves the permission to explore a situation and a person through a different lens while being civil, patient and staying curious to learn.

Question 4: What expertise did you bring to your writing?

Answer 4: I am a trained project manager and so I heavily used the many skills under this hat to take my novel from inception to publication. I also meditate 5-6 hours per week which allowed me to manage my emotional states and kept me connected to a divine source to pursue my passion compassionately without fear, pride, anxiety, and ego. Lastly, I workout 7 days a week which helped maintain my physical energy levels to dedicate to my passion while simultaneously working long hours on my day job.

Question 5: What would you want your readers to know about you that might not be in your bio?

Answer 5: The day I submitted the manuscript for The Delicate Affair of Colonel Baquiste for publishing, is the day my late father’s health took a turn for the worse and he passed away ten days later. I did not get to share my first published novel with my father.

 

Question 6: As far as writing goes, what are your future plans?

Answer 6: I have a short stories book coming out next and after that, my third novel (the first one I wrote, which took me ten years to write), will be published.

Question 7: If you could be one of the characters from this book, who would it be and why?

Answer 7: I would love to be Chamcham, the Hastana boy. He is a very sweet character and a very smart child. I would want to know what he has seen and experienced in the Yervaan palace and why he made a couple of brave decisions. The mind of Chamcham is intriguing to me while the innocent and quietly perceptive character of this boy is very enticing to me. He must follow orders while he chooses to make two bold decisions, only a clever boy will do that. I would also want to be Chamcham because of the path his life takes near the end of the book. The boy does not express his inner world to anyone, and I wonder about the life he led at the Yervaan palace and what made him decide his fate near the end.

Question 8: When did you first decide to submit your work? Please tell us what or who encouraged you to take this big step.

Answer 8: When I saw that my first book was more than just pages of scribbles and that it was growing into a full novel (the one that took me ten years), I decided that I wanted it published after it was done. However, I was not comfortable with putting that out into the world first, call it lack of serious self-confidence. I decided to keep writing and instead of one large novel I started thinking of short stories, one story led to another, and another ultimately created The Delicate Affair of Colonel Baquiste which became much more than a short story hence I say it was a meditational journey for me. Call it divine intervention, I decided to get this story published first.

Question 9: Do you outline your books or just start writing?

Answer 9: Can I say both. I usually see a scene, something random or I will see something that will inspire a random scene in my mind. I ignore it until it keeps nagging me. Then I start scribbling to dabble and play with the scene to see what comes of it. Often it fizzles out and I abandon that inspiration. Other times I get very excited, and ideas start coming. I will continue writing until I realize that I must develop this. Then I go into the painful reflection period, where I have isolated characters, scenes, plots or one of those things or a few of those things and I am trying to build something out of it. I call it painful reflection because I basically need to wait for days, weeks, months for me to find enough material to come up with the outline. With The Delicate Affair of Colonel Baquiste the reflection period was over two months. During this time, I just have to write down whatever comes into my mind in terms of characters, roles, events, actions but none of it is nicely connected. There is really no aha-moment though because even when I create the outline and start filling in the content, I invariably arrive at a juncture where things either crisscross (don’t merge nicely) or are going in parallel and I cannot connect things. So, it is more like taking 10 steps forward and 6 steps back even when I start filling in the outline.

 

Question 10: Who is your favorite character in the book? Can you tell us why?

Answer 10: I know this answer might sound a bit confusing and perhaps unexpected, my favorite character is the persona of the Colonel (not Valstohl, not Gulaan). I say this because it is through the nature of the Colonel that Valstohl and Gulaan can coexist and perform their duties. The Colonel is the objective observer and disciplined performer while bearing the burden of both Valstohl and Gulaan’s characteristics and tendencies, including Valstohl’s tragic and dark past. The Colonel’s training of body and mind, his desire for knowledge, his civility and grit are remarkable to me. The Colonel is ultimately the bridge and means of reconciliation between Valstohl and Gulaan. The stoic attitude that the Colonel embodies when he is given the Delicate Affair, is key to success for both Valstohl and Gulaan’s mission.





BLURB:

 

The setting: two fictitious nations, Hastan and Llehstanz, in a past imaginary era of colonization.

The Llehstanz Monarchy won its final battle over Hastan to colonize the nation after years of war. The battlefield charge was led by a reputable, young, ruthless, and handsome Colonel Valstohl Baquiste. Highly skilled but equally arrogant, he holds a prejudice against the people of Hastan. Tragically, Colonel Baquiste was unexpectedly attacked during the last battle leaving him physically disabled. Realizing his military life is over, the embittered Colonel Baquiste awaits his dismissal to return to Llehstanz. However, he is offered a second chance for victory.

Colonel Baquiste is called back to military duty on a secret mission. He must go alone in disguise to capture elusive thugs terrorizing the Llehstanzite regiment. In accepting the mission, Baquiste realizes he is no longer fighting an enemy on a battleground when he travels to stay at the palace of renowned Southern Hastana landowner, Sir Bojeshnomaan Yervaan. Yervaans’ sinister nature ensnares Baquiste while the delicate assignment compels him to confront his tragic past and his prejudice against Hastanas. If the ambitious Colonel wants victory, it will require him to use not just his grit but also his heart.

 

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EXCERPT:

 

I would take your place if you ordered me Valstohl. You still have five hours to get on that ship and go home. Let Masim clean up this mess on his own reputation, this is not your problem. And if you fail then he will just find another officer and keep trying. Your life is not worth this! Go home, start a family, you are the only Baquiste heir. Don’t take this mission!

 


 

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AUTHOR Bio and Links:

 

Luki Belle works in the media industry. Storytelling was a fixture from childhood when she would listen to stories told by her grandparents, parents, sisters, and cousins who would read to her from diverse cultural fiction books. Growing up, Luki was fortunate to live in various parts of the world and experience beautiful cultures. During this time, she embraced and appreciated diversity among people while recognizing through love, overcoming pain, or grief, one can truly bond with others leading to unimaginable positive outcomes.

 

Websites

Amazon: https://www.amazon.com/Delicate-Affair-Colonel-Baquiste-ebook/dp/B0BWLFTW6R

Barnes & Noble: https://www.barnesandnoble.com/w/the-delicate-affair-of-colonel-baquiste-luki-belle/1143104792

Facebook: https://www.facebook.com/people/Luki-Belle/100090188427853/

 

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GIVEAWAY INFORMATION and RAFFLECOPTER CODE:

 

Luki Belle will be awarding a $25 Amazon or Barnes and Noble GC to a randomly drawn winner via rafflecopter during the tour.

http://www.rafflecopter.com/rafl/display/28e4345f4565

Friday, May 5, 2023

THE BABEL APOCALYPSE by Vyvyan Evans

 Please welcome Vyvyan Evans author of THE BABEL APOCALYPSE

The author will be awarding a physical paperback copy of the book (available internationally) to a randomly drawn commenter.


THE BABEL APOCALYPSE

by Vyvyan Evans

 

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GENRE:  Science Fiction

 

 

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INTERVIEW:


How did you come up with your idea for your novel?

 

VE: The Babel Apocalypse asks the ‘what if’ question: What if language were no longer learned but streamed to neural implants in people’s brains from internet in space. Just like we stream music, movies and TV today, it struck me that in the future, why not language too.

 

And exploring this idea, what would the consequences be? As humans “give up” on language, and offload language learning, allowing AI to take over, language becomes a commodity (like any other, such as movies, music, etc., that we now stream on demand for a fee). In short, language would become a proprietary product, controlled for and by big tech, in service of shareholders and corporate interests.

 

Such a development would lead to a slippery slope of issues ranging from potential censorship, to control of thought, and even, through cyberterrorism, the prospect of an existential crisis for the human race. The latter is manifested in The Babel Apocalypse most notably by a global language outage, which prevents large numbers of people from being able to communicate.

 

Self-evidently, in a world where most people have undergone language chipping, this would soon lead to a situation in which in the automated world there are no native speakers of language left. And with an entire population entirely dependent on language, were that language streaming ecosystem to fail, then the consequences would be catastrophic.

 

The Babel Apocalypse imagines a situation in which a cyberterrorist attack on language streaming servers in low Earth orbit leads to just such a global language outage. Such an event, with its low probability, would be one for which humans would be completely unprepared. In The Babel Apocalypse, entire populations of people, literally at a stroke, lose the ability to use language, becoming feral. And hence, the consequences for civilization become catastrophic.

 

Hence, the concerns alluded to in the book relate, ultimately, to what it means to be human; and whether implantable AI can and should be allowed to replace previously fundamental aspects of the human experience. Moreover, these concerns highlight the abuse that arises from the commoditization of what we previously assumed to be a human birth-right, namely language.


What expertise did you bring to your writing?

 

VE: I have a background in linguistics and cognitive science, with a PhD in linguistics and a long career as a university professor. I have published many works of non-fiction, including books on language and communication in the digital age, for lay-readers. Moreover, one of my research areas is digital communication. Hence, given the advent of smart AI, and the likes of ChatGPT, I brought my academic research to bear to imagine a future in which language is a commodity, as depicted in The Babel Apocalypse.


What would you want your readers to know about you that might not be in your bio?

 

VE: I am dyslexic—which makes me a horrible speller. Yet, with the assistance of excellent editors, I have managed to produce fifteen books, across genres, so far over the course of my writing career.

 


As far as your writing goes, what are your future plans?

 

VE: The Babel Apocalypse is the first in a planned series, entitled Songs of the Sage. There are six projected books in the series which, in increasing turns, examine the role and nature of language, and communication. The thematic premise is that, in the wrong hands, language can serve as a weapon of mass destruction. This overarching motif is explored, across the six books, both from Earth-bound and galaxy-wide bases.

 

As language involves symbol use and processing, the book series, perhaps naturally, also dwells on other aspects of human imagination and symbolic behavior, including religious experience and belief systems, themselves made possible by language.

 

The second book in the series, The Dark Court, is set five years after the events of the great language outage depicted in The Babel Apocalypse. It explores how the language chips in people’s heads can themselves be hacked, leading to a global insomnia pandemic. The Dark Court will be published in 2024, as book 2 in the series.

 

Can you give us a sneak peek into this book?

 

VE: The book is set in the early twenty-first century, when implantable, neuro-prosthetic chips are a legal requirement. Language is no longer learned but streamed from servers in low Earth orbit. 

 

When a catastrophic language outage hits, cybercrime detective is called in, to investigate.  In Chapter 1 of The Babel Apocalypse, the global catastrophe is introduced in the excerpt below, as follows:

 

I heard a group of drunken revelers behind me. “He always has a line for the ladies,” said one slurred voice. The boozy pitch contour wobbled toward me, bouncing along the polycarbonate surface. Then came an eruption of cackling. 

 

As I was about to glance back at the voices, a light flickered in my peripheral vision, drawing my gaze upward to the night sky. A soft white glow, high up in the dark. At first it was indistinguishable from the airway lights. But it persisted, the size of a small disk at first, before shifting to red-orange, getting larger. At that point I realized it definitely couldn’t be a hover car. This was farther up, probably low Earth orbit, which explained the initial white. But the shift in coloration—that meant a detonation, producing nitrogen dioxide, which turned deep orange when mixed with air. A gaseous cloud has reached the atmosphere, I thought. I was witnessing a chemical explosion in space large enough to be visible to the naked eye. But what was exploding?

 

As I continued looking up, the orange grew in intensity until it flared across the skyline, illuminating the entire landscape around me with an eerie red-orange. It was only then that I became aware of the newly hushed silence of the drunken revelers nearby. And the silhouettes of other people too, who had also stopped and peppered the pedestrian corridor. We were all now strange red creatures, watching transfixed in rapt silence as the night sky was on fire. And just as suddenly as it had appeared, it was gone; the orange light faded back into a deep well of pitch black.

 

I was pulled out of my reverie by the sight of a hover car descending onto the vertipad ahead of me. A three-wheeler autonomous hackney cab; mass-produced model. I watched in idle distraction as the glass frontage descended level with my eyeline, not twenty meters from me. Inside, I saw a woman, illuminated by the interior safety lighting—late twenties, perhaps, with a small child, a boy of about three or four. The red glow of the vertipad’s perimeter security lights bounced sharply off the polymer composite shell, which advertised the taxi company in holographic lettering. The vehicle came to a standstill on the vertipad.

 

But something about the hover taxi held my gaze. I realized it was the autogyro system. Something was wrong. Instead of self-stowing, it remained deployed. And the vehicle stayed in place where it had landed, in the middle of the vertipad. Strange, I thought. It should have taxied away onto the transit corridor by now. Maybe the explosion had affected the landing telemetry circuit. Stranger still, given the passengers were now stuck inside, why hadn’t they voice-activated the exit? The gull-wing doors remained closed.

 

I climbed over the thermoformed pedestrian barrier, ignoring the warning sensors as they flickered on, blinking at me, and walked up the vertipad incline toward the hover cab. The

woman peeked out, panic etched on her face. As she glimpsed me through the glass, she suddenly began banging as if in desperate supplication. I mouthed that she should issue her

door deactivation voice command into the piloting VirDa. She didn’t seem to understand me, so I spelled out Virtual Digital Assistant with my forefinger on the window—VirDa; a crude attempt to make her react.

 

She stared out at me with wild eyes through the gull wing window; a look of incomprehension. I realized that her apparent lack of understanding could only mean one thing: she was feral! Her language streaming service was out. She had no idea what I was saying, nor could she communicate with her VirDa. And then she screamed.

 


Do you outline your books or just start writing?

 

VE: I always start by outlining. But then as the writing process begins, characters start to write themselves. And events take on a significance not foreseen in the plotting. So my writing process is more that of a pantsing plotter: I work within the outline until something quite different emerges.


How do you maintain your creativity?

 

VE: I maintain creativity by going for very long runs in all weather. Air and exercise nourish the brain. Also, some of my best ideas come to me while I’m running.


Who is your favorite character in the book? Can you tell us why?

 

VE: One of the two main protagonists in the novel is Professor Ebba Black. She is an heiress, hacker extraordinaire and may also be the leader of the Babel cyberterrorist organization set undoing the big tech monopoly.

 

Ebba is also one bad-ass, a high-functioning sociopath with psychopathic tendencies, who also happens to want to help people, by restoring language to them, without having to pay for language streaming subs.

 

If I were to come back in female form, I would want her attitude. 






BLURB:

 

Language is no longer learned, but streamed to neural implants regulated by lang-laws. Those who can't afford language streaming services are feral, living on the fringes of society. Big tech corporations control language, the world’s most valuable commodity.

 

But when a massive cyberattack causes a global language outage, catastrophe looms.

 

Europol detective Emyr Morgan is assigned to the case. His prime suspect is Professor Ebba Black, the last native speaker of language in the automated world, and leader of the Babel cyberterrorist organization. But Emyr soon learns that in a world of corporate power, where those who control language control everything, all is not as it seems.

 

As he and Ebba collide, Emyr faces an existential dilemma between loyalty and betrayal, when everything he once believed in is called into question. To prevent the imminent collapse of civilization and a global war between the great federations, he must figure out friend from foe—his life depends on it. And with the odds stacked against him, he must find a way to stop the Babel Apocalypse.

 

 

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EXCERPT:

 

It wasn’t her cold beauty that marked out Ebba Black as unique—her chilling looks, as she called them—although her looks invariably made an impression on all who met her. Rather, it was the fact that she was the last nate in the automated world. That made her famous. Undoubtedly she was celebrated for other things too—Ebba Black the Babelist, the heiress, the conspiracy theorist, the charismatic professor.  Maybe even the oddity. After all, Ebba was the last speaker of languages that would die with her. With Elias’s passing five years prior, she had no one left to speak them with. And Ebba Black would not marry. Commitment of that sort wasn’t her thing, and she would certainly never have children. You could say she wasn’t the maternal type.

 

Ebba knew she was unique in other, ineffable ways, too. For one, she listed things to herself, silently, in her head. Reasons to know me. Reasons not to know me. Reasons to hate me, to admire me. But not reasons to love me. Never that. That was forbidden. Ebba never allowed anyone to get that close. 

 

Sometimes Ebba even indulged in one of her trademark waspish grins. To no one in particular, while she mentally scrolled through one list: reasons to kill. The list with the names. Her list of lists. The grin was the only outward sign she was performing a mental stock-take. It wasn’t good to be on that particular list. Ebba Black was neither the forgiving nor the tolerant type.

 


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AUTHOR Bio and Links:

 

 

Dr. Vyvyan Evans is a native of Chester, England. He holds a PhD in linguistics from Georgetown University, Washington, D.C., and is a Professor of Linguistics. He has published numerous acclaimed popular science and technical books on language and linguistics. His popular science essays and articles have appeared in numerous venues including 'The Guardian', 'Psychology Today', 'New York Post', 'New Scientist', 'Newsweek' and 'The New Republic'. His award-winning writing focuses, in one way or another, on the nature of language and mind, the impact of technology on language, and the future of communication. His science fiction work explores the status of language and digital communication technology as potential weapons of mass destruction.

 

Book website (including ‘Buy’ links):  www.songs-of-the-sage.com

Author website: https://www.vyvevans.net/

Youtube channel:https://www.youtube.com/@vyvevans

Twitter:https://twitter.com/VyvEvans

Facebook: https://www.facebook.com/Vyvyan.Evans.Author

Instagram:https://www.instagram.com/nephilim_publishing/

 

The Babel Apocalypse earned a starred review in Kirkus: "A perfect fusion of SF, thriller, and mystery—smart speculative fiction at its very best." 

 

The full review is here: https://www.kirkusreviews.com/book-reviews/vyvyan-evans/the-babel-apocalypse-songs-of-the-sage/

 

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GIVEAWAY INFORMATION and RAFFLECOPTER CODE

 

 

PLEASE MENTION THE PRIZE THAT THE AUTHOR WILL BE GIVING AWAY:  

 

The author will be awarding a physical paperback copy of the book (available internationally) to a randomly drawn commenter.


http://www.rafflecopter.com/rafl/display/28e4345f4556/



Monday, April 17, 2023

Girl Hidden by Jesse Ren'e Gibbs

 Please welcome Jesse Ren'e Gibbs author of Girl Hidden

Jesse Ren'e Gibbs will be awarding a $25 Amazon or Barnes and Noble GC to a randomly drawn winner via rafflecopter during the tour.


Girl Hidden

by Jesse Ren'e Gibbs

 

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GENRE:   Memoir

 

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INTERVIEW:


What or who inspired you to start writing?
Most of my inspiration came from my best friend, June. She knew I had a story that needed to be told and she hounded me for twenty-five years to write the darn thing. She went through piles of boxes full of paperwork to help get me organized and walked with me through all the joy and tears of writing a memoir. We had to do a ton of research to make this book happen; my mother’s version of events shaped my thought processes and were almost one hundred percent false.

 

What elements are necessary components for this genre?
The book is full of letters from my mother – both before and after I was born, excerpts from my grandmother’s journal, pieces from my own experiences and court documents. It was important that I had backing for the story that I wrote, it was important that it was true, that it was real.

 

How did you come up with your idea for your novel?
I was kidnapped…. twice before I was eight years old and I was in hiding for several years while the police, CPS and the FBI searched for me. When you say that, people stop. “Wait, WHAT?” Yeah so, and now you have to tell the story. And enough people said, “wow, you should write a book” that eventually I did. It also helped me sort out facts from fiction in my own life. But during the course of writing, it became clear that the story started to become a guidebook for surviving both abuse. Eventually that became the more important component; I wanted others to know that that kind of horrific abuse was survivable. 

 

What expertise did you bring to your writing?
Literally nothing other than my ability to tell a good story. I’ve always just been a writer. Between my mother being a charismatic narcissist who could make a tall tale from nothing and my grandfather being a great fisherman, I came by storytelling naturally. The challenge was how to make the story REAL while also being interesting and engaging. I wrote the book in third person because that’s how I love to read books, which adds another layer of challenge when writing a memoir.

 

What would you want your readers to know about you that might not be in your bio?

A lot of people ask how I met June, my bestie. She’s in the book a lot and she is my rock. She makes me believe in love at first sight.

 

June was seventeen when she came to visit her big brother at the inner-city commune where I lived at the time. Her dad was getting remarried and was just done being a parent, so he gave her a one-way ticket to Chicago and basically kicked her out. June’s big brother was friends with my now ex-husband, so I did him a favor and picked her up from the airport the day she arrived. By the time we got to baggage claim we were best friends. We found out several years later that our grandparents had been friends for thirty years, but we had never met. We were just meant to find each other.

 

As far as your writing goes, what are your future plans?
At this point, I don’t have any plans to continue writing – this book twenty-five years to write. That being said, I would love to tell June’s story eventually. But we shall see.

 

If you could be one of the characters from this book, who would it be and why?
*laughs…I AM one of the characters in my book. Which is a challenge to write; I get a lot of questions like “are you being too full of yourself?” or “you’re so egocentric.” But the truth is a lot deeper than that: dandelions are a tiny plant that has a lot to offer, if you take the time to notice. They feed the bees, make delicious tea, and have healing properties. My story is important too, and it deserves to be told.  

 

 

Can you give us a sneak peek into this book?

The town of Rockwell was a small, southern town. As an electrician at the local cinder block mill, Robert could walk to and from work every day, which saved him money on gas and kept him in good shape. He would walk to Food Lion, the local grocery store. He would walk to the Post Office with the pretty golden doors that you opened with a magic key to get your mail. And finally, past the tiny Rockwell firehouse with its one fire engine.

 

After one such walk, Robert sauntered into the kitchen, absolutely beaming. He had acquired a lovely, lanky, full-grown female Dalmatian from the local firehouse. Lady, as she was unfittingly named, was too flighty for the local firehouse, so she was put up for grabs. To Robert she was a dream come true; he had wanted a Dalmatian of his own ever since he was a boy. And the boy in him could clearly be seen as he looked out of the kitchen window at his new puppy, which he had left in the car for safekeeping. Dolores joined her husband at the window and shrugged her shoulders in resignation, not realizing at the time that she was effectively signing the dog's death warrant.

 

Lady’s black and white coat gleamed, her deep brown eyes glittered, and she was wildly energetic. Left to her own devices she would have run from the car, and then run everywhere at once, with no intention of coming back until she had satisfied all her curiosity about every corner of the world. Robert dragged the excited dog out of the car, played with her for ten minutes, and then locked her in the shed, promising Dolores that he would build her a pen soon. The shed was filled with woodworking tools, random junk from around the property, and no windows. There was no light. Only one door in or out.

 

One of Jesse’s responsibilities at the Taylor home was to care for the animals, and Lady was another living, breathing creature added to her care tasks. Gummich the evil orange and white striped cat got dry cat food in his food dish, and water in his water dish in the kitchen. Gummich also got his cat box cleaned out every day. Leah, the bouncy black lab, got dry food every day and water from the hose into her buckets in her eight-foot-by-ten-foot outdoor pen. Leah would jump as high as she could over and over again when Jesse left the house and headed her way with the dog food.

 

Neither Leah nor Lady went for walks. They got yelled at if they barked too much. Leah had a tiny doghouse to keep her sheltered from the cold, and partial shade for part of the day in the summertime. Lady stayed in the shed. The simple joys of being given food and water brought them paroxysms of delight. Jesse was barely three feet tall and feeding and watering two dogs that were nearly as tall as her was quite a production. Jesse loved animals. She loved how they never sulked or got mad at you for something you said or did. They liked you just because.

Jesse would push the door of the rickety shed open and shove Lady out of the way, while keeping her mouth closed tightly so Lady could lick her face. She seemed to crave the outside, desperate for any attention, any light or fresh air. Lady required special care because of her sensitive disposition and high anxiety: soft dog food from a can and pills to help her calm down pressed into the food. Jesse liked the smell of dog food. It smelled of meat and vitamins and healthy dogs.

 

Autumn crept into winter. The leaves were less and less colorful and it rained more. Since it was North Carolina, the sun made valiant efforts to come out in the mornings but failed miserably every day.

 

Jesse would tend to her siblings, change diapers, wash the dishes and care for her mother, who was pregnant and starting to really show. She would feed the cats and make lunch for the kids. She went outside to play less and less as the weather got colder. Then she just stopped going outside altogether.

 

As winter moved in, the dogs got fed less and less regularly. She forgot. She didn’t mean to forget. But she still forgot. On the rare occasion that Jesse remembered to feed the dogs, it was a horrible job because they were so desperate for food, they would knock her over when she tried to give it to them.

 

Robert and Dolores never walked the dogs, never checked to make sure they were being cared for properly. Jesse was too small to walk them. They spent their days trapped in a small space, Lady in the shed, Leah in the elements, and neither of them were treated like part of the family; neither even treated with the respect and kindness due to dogs.

 

It was after dinner in the middle of November when Jesse noticed that something was wrong. She had gone out to feed the dogs. Leah was so frantic that Jesse was too scared to go into her pen. She dumped the food on the ground and just ran fresh water into her bowl without removing the chunk of ice that had formed in it.

 

She tentatively opened the door to the shed and flicked on the light. Lady was not waiting for her, or desperately trying to lick her face or shoving to get to her food. Her water bowl was on its side, empty. Her food bowl had been chewed repeatedly and was also empty. Jesse looked around, her terrified breathing showing itself in the cold in the form of short wisps. Lady lay on her side. Her breathing was shallow. In the light from the bare bulb, Jesse could see Lady’s ribs. They were jagged and sharp in the harsh light.

 

Jesse set the bowl of food next to Lady’s muzzle. She did not stir. Her eyes stuttered up to look at the little girl crouched next to her, then closed again. Her breathing did not change.

Jesse burst in the front door of the house, tears blurring her vision. Robert stood up as Jesse tried to explain that something was wrong with Lady. He had not gone out to the shed in weeks. He had not walked, fed, or watered his dog. He had no idea that she was not being cared for properly. Jesse’s little hands were red from the cold. Her nose was running. “Lady’s sick, Poppa…” she sobbed.

 

Jesse stayed in the house. She got the kids ready for bed and gave Ezra his bottle. She read them their favorite story about a bull named Ferdinand who just wanted to smell flowers. They were so cute in footsie jammies.

 

The house became quiet.

 

Robert and Dolores were still outside. Jesse, in her nightgown and bare feet, slipped into her coat. She opened the front door. Robert was sitting on the porch swing with Lady, who was wrapped in a blanket. Dolores sat beside him. He was trying to feed the dog warm milk from a bottle, but it was not working. Tears leaked from the sides of his eyes. The door squeaked as Jesse opened it and Dolores and Robert turned. Robert’s eyes seemed to burn with disappointment under the porch light. A moment passed. Then two, as Robert and Jesse stared at each other. Lady whined quietly, drawing Robert’s attention. Jesse closed the door and went to bed.

 

Jesse was too scared to cry. She lay under the covers. Her feet were cold, but what did that matter compared to what was to come? She was sad for Lady and convinced that she was responsible for killing a dog. What did that mean? Would she get a spanking? Perhaps she would have to live in the shed as punishment. Would she even get to go to heaven if she killed a dog? Would her stepfather ever love her again?

 

The next morning at breakfast Robert cleared his throat. “Kids? Lady died last night.” He looked around at all of the kids. He did not look at Jesse. “She went to be with Jesus.”

 

That was the last time anyone spoke about Lady.

 

 

Do you belong to a critique group? If so, how does this help or hinder your writing?

I do! Since I’m not currently writing in earnest, it’s more of an overview of other writer’s work. It’s challenging in the best way, and I learn a lot.

When did you first decide to submit your work? Please tell us what or who encouraged you to take this big step?

Once again, it was June. She basically sat on me and said “it’s done. Send it for review. Do it!” *laughs…It was really scary, but I sent it out for beta testing and got a lot of good feedback. The hardest was how many people came back and told me to expand on some of the abuse that I received from my stepfather. I hate remembering what he did, and writing it was both a form of torture and of healing. The book is self-published, which was its own giant challenge. I swear, I will write another whole book before I try to self-publish again.

What is the best and worst advice you ever received? (regarding writing or publishing)
I think the best advice I ever got was to just get it down on paper; organize it later, but for heaven’s sake, get it written. And honestly, the worst advice I was given was given in kindness; the lady said, “write it in first person, it doesn’t make sense in third person.” And I tried, I really did. I rewrote entire chapters in first person, but I didn’t like it. And at the end of the day, I needed to be happy with my book. So, it got switched back.

 

Do you outline your books or just start writing?
I just started writing. Had to get it down on paper first. I knew that there were certain stories that needed to be in the book, so whatever I was feeling on a given day was the story that got written. For example, if in the moment I don’t have the emotional space to talk about a particularly abusive story, fuzzy cows it is. And I would write the story of the cows jumping on the trampoline or the cat that ran the farm. June and I organized the whole thing when I was done, made sure I didn’t miss anything, filled in blanks, and smoothed it all out so it reads like a novel and not just a collection of stories.

 

How do you maintain your creativity?
The honest answer is that I don’t. There are literally entire years where I didn’t touch the book. Then a spark would hit, or a memory would resurface, and I just had to write. I’d be in therapy walking through some experience and I would have to get it into the book right this minute. It was very rare that I just powered through. There’s a lot of emotions behind these stories, and I hope that comes across in the book.

 

Who is your favorite character in the book? Can you tell us why?

Gummich the cat. The book is full of stories of this grouchy cat that adored my mother. Dolores, my mother, loved Gummich – LOVED him. Adored him. Gummich could do no wrong and was her favorite of every other heartbeat in the house. And Gummich reciprocated. But only to Dolores. He refused to sit on anyone else’s lap for any reason ever. 

 

Due to Dolores’s conviction, she was required to host her probation officer at least once a month. One sweltering spring afternoon, dressed impeccably, the woman dropped in on Rockwell more than three hours earlier than their agreed appointment time. Dolores was in her sweatpants, the kids were running wild or frantically cleaning their rooms, the sink was still full of dishes, the baby was still in his diaper from the night before, and Dolores was mortified.

 

Dolores cleared the clean clothes off a section of the couch, making room for the probation officer, who delicately wiped the space with her hand before perching on the edge and pulling her notebook out of her oversized purse.

 

As she began asking questions of Dolores, Gummich strode into the living room with his tail in the air and his eyes half-closed mischievously. He strutted up to the couch, rubbed himself in what he probably considered was an alluring way against the probation officer’s legs, and then leaped ever so delicately into her lap.

 

Dolores’s jaw dropped. This cat treated everyone with disdain. What was going on?

Gummich then began to purr – or grunt, as it were – arching his back to be petted, tail in the air, delicately “making biscuits” on her lovely skirt.

 

Dolores’s P.O. tried to nudge the cat off her lap, and he dug his claws in more insistently, rubbing against her nice blouse and grunting at her like he was in love. 

 

“Uh… nice kitty,” she said, patting him on the head and pushing him away.

 

Gummich turned away from her, and just as he was ready to leap from her lap, he sprayed urine all across the front of the nicely dressed probation officer. The woman screamed, leaping to her feet to escape the spray. Gummich hit the floor – tail in the air, and an evil grin on his face – and pranced out of the room, leaving a nearly apoplectic probation officer in his wake. 

 

Dolores, attempting not to laugh, pulled towels out of the pile of clean clothes and followed the fleeing woman to the door. Her car sprayed gravel from the driveway as she peeled away from the Taylor house.

 

Dolores stood in the doorway after her P.O. left, doubled over with laughter as tears streamed down her face. Gummich watched her from his perch in the kitchen, a knowing, haughty look on his face. She finally pulled herself together and walked over to him. They gazed at each other for a moment and Dolores scratched him behind the ears. 

 

“I love this cat,” she snickered to herself as she went to drop the urine-drenched towel into the washing machine.

Are your plotting bunnies, angels or demons?
Right now, I’m not plotting anything particular, but if I was it would be a little of all three. When you read Girl Hidden, you’ll find that there are wonderful, amazing, angelic humans within, along with people that have all the tendencies of demons and real, actual bunnies. Along with goats, cows, chickens, cats, dogs, and a black snake that lived in the attic.

 

Anything else you might want to add?

If you’re thinking of writing a book, or even just want some good therapy, write your story. Get it down on paper. It deserves to be told. And it’s so healing. 






BLURB:

 

Echoing among the Blue Ridge Mountains were the cries of newborn babies that disappeared into the night. The screams of children nearly drowned out by the sound of crickets. A girl, hidden and waiting to be found, terrified, and confused. The fireflies sparkling in the woods, bringing light to darkled places.

The bulk of Jesse’s memories were of growing up in the farm country of the Blue Ridge Mountains in North Carolina. The farm folks stayed pretty much outside of town, except for visits to the feed store causing random tractors to travel down Main Street. There were beatings and abuses, manipulation and terror carried out in spaces breathtaking in their beauty. There were twenty-seven Baptist churches, three non-denominational churches, and one Catholic Church.

There were annual Ku Klux Klan rallies on the street where they would walk right by all the black families who came out to watch and the white folks who came out for moral support—whether of the blacks or the whites, no one knew for sure. Black people did not marry white people in a civilized society, and so were rarely seen socializing. There was a young woman who was pregnant with a black man’s baby, so her parents disowned her. Jesse’s family was accused of killing the child and burying it on their property.

There was the Berkley House Bed and Breakfast toward the end of town, with gold plated silverware and hardwood floors, rumored to be the local sex worker house. There was a mansion up on a hill that overlooked the other humble houses in the town. In the local cemetery, there was “Will B. Jolly” carved into the graves used by bootleggers back in the twenties. Everyone had some form of thick southern drawl, though the length of the “aw” would extend the further south you went. There was a tiny baseball field and a tinier fire department. There was an old lady in the foothills that let the family raid her garden during the summer. And in exchange, Jesse’s family helped her husband bring in the hay for their animals every year.

There was a black snake in the attic—the door opened inside the closet next to Jesse’s bed. She would find his shed skins left behind in the summer months measuring close to seven feet in length. There was a creek with crawdads and a moss-covered bridge. There were mulberry and pecan trees that filled her and her siblings’ aching bellies as the weather turned.

There were hot summer days and freezing cold winters. There were dogs that were best friends, cats that kept her warm at night, and a cow that committed suicide. There was red clay instead of dirt, hayfields instead of grass, and a favorite swimming hole: Lenny’s Mill, the local grain mill on a glacier-fed creek where you could take a dip if you were brave enough to challenge the frigid waters.

Girl Hidden is the story of an unwanted child, born nonetheless and forced into servitude, desperate to protect her siblings and find her way out from under the vicious, manipulative abuses heaped on her by the one person who was supposed to love her unconditionally: her mother.

 

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EXCERPT:

 

He was standing with his hands over his face. His back was shaking. Jesse slowly walked in front of him and stood there, silently watching as the sobs wracked his body. She reached up and touched his arm, startling him for a moment. Tears filled her eyes. He wrapped his arms around her and held her tightly. She started weeping, her tears dripping onto his shirt. They held each other for a moment as the world seemed to stop turning around them. 

 

Jesse pulled away from him and wiped her eyes. Robert looked down at her and stuttered a little as he tried to put words to his feelings. 

 

She looked up into his eyes. “Poppa,” she said, stopping his attempts to speak. “I cannot be the grown-up for both of us. I’m not… I’m not strong enough!” Fresh tears spilled down her cheeks, washing away the last of the makeup that she had so meticulously applied earlier that day. “Please, Poppa.” 

 

Jesse took a deep breath, pulled herself together, lifted her chin, and walked back into the room with the black-and-white tile floor. Robert stood in the hallway and watched her go. His stepdaughter would never depend on him again. His heart broke a little more, but he knew that there was nothing he could do about it. He forced himself to wipe his eyes again and walk back into the room.

 

 

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AUTHOR Bio and Links:

 

My name is Jesse René Gibbs and I am the author of Girl Hidden. I am an artist, designer, dancer and survivor. I am a stepmother to four, Amma to four more and blessed beyond measure with the family that I chose. 

This book is based on the true story of my life, gleaned from years of my mother’s writings, my grandmother’s journals and my own experiences. I did my best to showcase the depth of damage that growing up with a narcissistic parent can have on a person, and how hard it is to come to terms with the amount of gaslighting that comes with that life. My siblings all have their own stories of being played against each other, bullied and even emotionally tortured by our parents. We were trained to not trust our own intuition, raised in a life of poverty, a lack of privacy and the endlessly traumatizing purity culture. 

I was hunted in my own home by the man my mother married and escaped at nineteen only to land in an intentional community in Chicago that did nearly as much damage. My best friend in the book is also real, and she did more to walk me through my trauma, and she is the main reason that these stories were finally published.

My new life in Seattle didn’t start until well into my thirties, and I’m still working on deconstructing my life up to that point. I wrote this book to organize my life in my own mind and to undo years of lies. I also wrote it because others need to know that they are not alone.

 

Email: contact@girlhidden.com
 

Website: 
https://www.girlhidden.com/

Instagram: https://www.instagram.com/girl_hidden_a_memoir/

Facebook: https://www.facebook.com/groups/girlhidden

Tiktok: https://www.tiktok.com/@girl_hidden

Amazon link: https://www.amazon.com/Girl-Hidden-Jesse-Ren%C3%A9-Gibbs/dp/0578988127/

 

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GIVEAWAY INFORMATION and RAFFLECOPTER CODE:

 

Jesse Ren'e Gibbs will be awarding a $25 Amazon or Barnes and Noble GC to a randomly drawn winner via rafflecopter during the tour.

http://www.rafflecopter.com/rafl/display/28e4345f4562